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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, one half of the innovative 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He subsequently founded the innovative techno group The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his sleep at his residence in London on Wednesday 22 October, only a short time after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that performance, Ball appeared in a wheelchair, as he had for the last two years, following a period of health issues.

"I ended up damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my spine and fractured about multiple ribs and broke my wrist."

Following catching pneumonia and developing sepsis, he was placed in an medically-induced sleep and remained in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the summer, as he worked on a fresh record with Almond, called Danceteria, which is scheduled for release in the coming year.

"He was concentrated and so happy with the latest project that we literally finished only a short time ago," said the vocalist in a tribute.
"It's so sad as next year was completely planned to be such an positive year for him, and I take some solace from the fact that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my life and for the songs you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is different from being in a group, the connection is incredibly close," he continued.
"That was the case with us. We went through so many remarkable, extraordinary, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Born into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half old.

He grew up in the seaside town with his new family Donald and Brenda Ball, who altered his given name from his birth name to David, alongside his younger sister his sister, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both studying fine arts. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly produced an EP.

Creative Collaboration

The pair were an unusual pairing: Ball was the reserved musician, hunched over his synthesizer, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a unique creative synergy.

Ball had cultivated a interest with synthesizers after viewing Kraftwerk appear on a television program a popular series, and began to marry moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, shifting millions of units worldwide. Together with hits by other artists, Human League and electronic acts, it helped cleared the path for the electronic music style of the 1980s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were developing new material right up until Ball's death

Career Highlights

Success had its upsides. "I enjoyed being able to afford my first home, having money and exploring, which makes me sound like a beauty queen," Ball recently told with a music magazine.

But it also presented problems. "Newfound wealth allowed we could afford substances to relieve the monotony" of media interviews and television shows, Ball explained.

"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."

During the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to create a follow-up classic album - the unconventional, edgy and aptly-titled The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the Top 40 album Cruelty Without Beauty.

Following another hiatus, they returned in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they remained together, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently characterized the band's new album as a homage to the NYC nightlife they frequented while making their initial records.

He noted that his period in hospital had shaped the group's music.

"I had unusual memories when I was coming and going of hospital because I was on pain medication," he told a publication.
"The new songs are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."

The final mixes were completed only a short time before Ball passed away. It is due for release in Spring 2026.

By

Nicole Martin

A seasoned gaming analyst with over a decade of experience in casino operations and player psychology, specializing in slot machine mechanics.

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